With lumber, construction, agriculture and a growing economy in the mid-1900s came the need for a larger workforce, prompting population expansion in most demographics.
Ukiah became a major producer of pears. Alex R. Thomas and Company owned hundreds of acres of Bartlett pear orchards on the east side of the valley. For 90 years local and migrant workers of all ages were employed picking and packing pears for domestic and foreign consumption. This was a job performed by professional pickers and their families (elders and kids roamed the orchard on foot gathering low-hanging fruit), and by many Ukiah-area high schoolers.
Pears are labor-intensive. Unlike grapes, pears cannot be machine picked. They must be harvested manually, from a ladder, by the hands of someone skilled in how to do it without damaging the fruit.
As I was painting the mural, I met many of the city employees who work at or come to the Conference Center frequently. One of these, José Ruiz, saw my planned subject matter and said he used to pick pears, a skill he learned from his grandfather. He became my advisor on this panel, instructing me in every aspect of pear harvesting and storage, the ladders used and the brilliantly designed canvas pouch that opens from the bottom so the pears can be carefully laid down in their collecting bin and the bag simply slid away.
The remaining part of the labor panel, which honors all the work we do with our bodies and hands, is the Depression-era WPA project of building the stone wall that accompanies the beautiful wrought iron gate to Todd Grove Park.
This is where I stopped for the 2019 season, completing the 15th panel, which contains the mural’s first portrait and honors labor, pairing it with the flanking panel education. On June 6, 2020, I began work on the remaining eleven. I have been promised a champagne celebration when this is all done! (after the pandemic)
Return to overview SECTION FOUR